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Bartholomeus Spranger
Bartholomeus Spranger (name variations: ''Bartholomaeus'' or ''Bartholomäus'' and ''Spraneers'';〔(Bartholomeus Spranger ) at the Netherlands Institute for Art History 〕 21 March 1546 in Antwerp – 1611 in Prague) was a Flemish painter, draughtsman, sculptor and etcher who became a painter to the imperial court in Prague. His unique style combining elements of Netherlandish painting and Italian influences, in particular the Roman Mannerists, had an important influence on other artists in Prague and beyond.〔(C. Höper. "Spranger, Bartholomäus." ) Grove Art Online. Oxford Art Online. Oxford University Press. Web. 20 May. 2014〕
==Biography==
He trained with Cornelis van Dalem, Jan Mandijn, and Frans Mostaert, all three landscape painters. He further copied prints of Frans Floris and Parmigianino.〔 He traveled to Paris on 1 March 1565 where he worked for six weeks in the workshop of Marc Duval. He then travelled on to Italy, where he first stayed for eight months in Milan. He then worked for three months in Parma as an assistant to Bernardino Gatti on the painting of the dome of the Santa Maria della Steccata.
He worked on wall paintings in various churches. In Rome he became, like El Greco, a protégé of Giulio Clovio. Here he also met Karel van Mander who would later include a biography of Spranger in the ''Schilder-boeck''. Pope Pius V appointed him court painter in 1570. He was summoned to Vienna by Maximilian II, Holy Roman Emperor, who died soon after his arrival in 1576. But his successor Rudolf II was even more keen to employ him, and in 1581 he was appointed court painter and also valet de chambre, the court having moved its seat to Prague, where he stayed until his death there in 1611, shortly before Rudolf was deposed. Rudolf arranged a wealthy marriage for him, and his house was a centre for artists in Prague.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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